DJ John Peel said, “It was like paradise, it was wonderful. You spent a lot of time rushing around saying, 'Brian Jones is here, Hendrix is here, where, where?' Rushing around to see famous people; you were still that much of a dickhead. But it was just a great event. All these bands came on, a lot of them were awful. There were a few that were really good, but it was the sense of community, of occasion, the sense that anything was possible.” Keith Rowe, who performed with AMM that night, said, “I remember the 14 Hour Technicolour Dream as very violent. There was violence towards Yoko quite often when she performed those pieces with the men ripping away her pants, I found it unpleasant. A quite powerful emotion. The violence shown to her was quite out of order. She had racism and sexism against her. Even in 1996 it would probably be illegal to go on stage and take someone's clothes off, but with a pair of amplified scissors, its possible.”
			”I don't have particularly good memories of the 14 Hour Technicolour Dream,” says Peter Wynne-Wilson. “I can't quite picture the scene, I can remember being up the scaffolding there and I can remember someone doing watch-glass overhead projections. Roger Waters was in a bit of a state about something. I can remember taking equipment up, but I don't remember doing any lights there. There was fairground stuff, a lot of drugs, a LOT of drugs. I can remember thinking that the drug situation had got extremely messy and perverted because there were people completely in a state because of drink and drugs. And it seemed to me to be a real falling apart, I didn't like it at all.”